Sitting on a Chicken: Extract

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To celebrate the release of Sitting on a Chicken by Michael Chissick, we are releasing an extract from the book, featuring four interactive yoga games and poses you can use with your children or pupils!

To download the extract please click here. 

Learn more about Sitting on a Chicken here. 

Michael Chissick has written several books for children, published by Singing Dragon, please find them here.

Striker, Slow Down! – Colouring Page

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To celebrate the release of Striker, Slow Down!, we have released a downloadable colouring page to help children use mindfulness to control their emotions.

Striker, Slow Down! tells the story of Striker the cat, who is unstoppable! He thinks that there is too much fun to be had, and no matter what his mama tells him, he never slows down. One day, a bump to the head brings this busy cat to a standstill. Will Striker finally listen to his mama and learn to make time for a little calmness?

You can use our colouring page with your children or pupils and you can share your finished pages with us on Facebook or Twitter.

To download the colouring page, please click here.

Feeling the Way: What Does it Mean to Heal Someone?

long-feelingtheway-c2wIn this blog by Rob Long, author of Feeling the Way, Long examines what healing means and how it applies to our lives. 

 

In my new book ‘Feeling The Way’ I make the bold claim that everybody possesses what is commonly called ‘healing hands’. That means you! What appears in the book is a stripped-back, extremely practical how-to guide, based on insights from over twenty years of my own trial and error in the clinic. I have called what I do ‘Qi Sensitivity Healing’, or QHS for short, and whilst much of it is innovative, it also owes a huge debt to ancient Chinese practices, especially those of the Daoists, those progenitors of Acupuncture, herbal medicine and many other instantly recognizable modalities .

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Preparing the Body for Work: Working for Coherence

In this blog by Amanda Brennan, author of The Energetic Performer, Brennan provides an overview of her method of acting and how increasing awareness of the body can enhance the acting experience. 

I recently ran a series of workshops for professional actors in Santiago, Chile. The course was designed to refine performance skills, explore the craft of screen acting and discover how to create a rich and complex inner life. In my book The Energetic Performer, I refer to the inner life as all that moves with in, thoughts, vibrations of the nervous system, the beat of the heart, the flow of breath, all feelings and emotional expression. Its cultivation is at the heart of screen performance, where the real action is on the inside. To achieve this aim, I began with what I believe is the fundamental necessity: preparing the body for work.

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Facial Torment – and resolution

In this second blog post by Thomas Attlee, author of Face to Face with the Face, Attlee expands on his previous blog post ‘Essentials of Cranio-Sacral Integration‘, by expanding on the key points, and again providing the following three case studies: Tooth, Jaw and TMJ Pain; Hearing Loss and  Trigeminal Neuralgia. 

Fiona was forty-seven and had suffered a lifetime of countless recurrent ear infections, glue ear, severe deafness, extreme pain, burst ear drums, and inability to travel by air. She had been through countless courses of antibiotics, grommets, operations and other treatments without benefit – until she discovered cranio-sacral integration, and her life was transformed – able to hear again, free of pain, able to fly (by aeroplane, that is, not independently – cranio-sacral integration is not quite that miraculous).

Ninety percent of babies and children suffer middle ear infections¹, often leading to glue ear, with potential repercussions on speech and language. Like Fiona, they may receive frequent prescriptions of antibiotics, sometimes grommets and possibly operations, none of which addresses the underlying cause and which may consequently lead to repeated episodes of the condition.

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Essentials of Cranio-Sacral Integration (and case studies)

In this blog post by Thomas Attlee, author of Face to Face with the Face, Attlee explains the ‘Essentials of Cranio-Sacral Integration’, providing an overview of the key points, and providing three case studies: Tooth, Jaw and TMJ Pain; Hearing Loss and  Trigeminal Neuralgia. 

Higgs-boson:

In 2013 Professor Peter Higgs received the Nobel prize for a concept he first proposed in 1964 and for which the experimental proof was finally provided at the CERN laboratory in Switzerland in 2012. Professor Higgs postulated that there is an invisible field pervading the whole universe.

Within quantum physics it has now been established that there is a universal field, a unifying matrix within which everything exists and interacts – every galaxy, star, planet, solid object, living being, molecule, atom, subatomic particle – a field from which particles take their mass.

In the quantum model of cranio-sacral integration, we also perceive a universal field or matrix, within which life on earth has come into being, and each one of us exists as an individual matrix within this wider matrix. We are formed embryologically, developed, maintained and sustained by the biodynamic forces within that field, and every cell, atom, and subatomic particle within our body is an integral part of that wider field.

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Inside the Mouse’s House…

by Susan Quayle, author of Mouse’s Best Day Ever

Sitting at the kitchen table were my two children and my daughter’s two friends, who had come over to play. They were having lunch and chattering away as children do, when I heard, “Poppy’s got a reward chart,” after which there was a brief silence, followed by, “for going to the toilet.” I have to admit that this was not exactly what I was expecting to hear. I turned around to join in the conversation, asking “how does that work then?”

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A Day in the Life of… an Intern at Singing Dragon

by James Safford

James SaffordAs both Emma and Jane have mentioned in previous posts, our work patterns at Singing Dragon/JKP can rarely be neatly packaged into what you might call a normal routine, and over the past few months I would say that routine has featured less for myself than any other member of staff. I have worked as a general intern here since the end of December, and because this entails assisting the full range of departments, I very rarely find myself doing the same work from one day to the next.

The day usually starts with a mug of coffee whilst I check through my e-mails. My e-mail account looks a little different to that of a full-time employee; whilst staff usually spend their time communicating with people outside the company – the freelance copyeditors and proofreaders managed by the production editorial department, the publications and journals who work closely with marketing, the printers who work with the production department, to name a few – I usually receive a steady stream of messages from people within the company. Editors may need a hand with research for a certain side of the list they wish to add to, which they will come to me for; marketing may need blog posts proofread, or copies of our books sent to reviewers; sales may ask for customer account information to be updated; or editorial assistants may ask for advance information materials, which contain blurbs, market information and author biographies, to be composed. After I’ve seen what I will be doing over the course of the day I can begin to set myself timeframes for each task.

I usually work on these tasks as and when they come in, but I also have a range of projects that I keep ticking over in the background. When I am based in the production department, there are always corrections to be made to InDesign files (the software we use to make our books look like actual books); this might include working on improving the quality of images used in the book, correcting text as marked up by proofreaders, or formatting the references. This has been particularly valuable for me, as someone who is interested in learning about editing, as it gives me a front-row seat to see how copyeditors and proofreaders work on books, how our house styles work, and what shape our commissioning editors want these books to take. Otherwise, I’ve been working with our production director, Octavia, to update a programme we use to catalogue our book data, called Biblio, and make it more user friendly. As there is no deadline for this task – the process will continue until the programme is fully tailored to what we do at Singing Dragon/JKP – we try to work on these projects whenever we have the time to spare.

When coming into publishing I had a fairly simple idea in my head as to how it all might work. I had imagined an industry which pined lethargically for its golden past, and what I found was one that is always thinking of new ways to be innovative with print, and that is trying to figure out how best to utilise digital. I enjoy the variety that being able to work across departments has afforded me, and I think that it is precisely because there isn’t, so to speak, a ‘day in the life’ of an intern here, that we are able to do so much interesting stuff. I get to see how our designers are working on the aesthetic of the Singing Dragon and JKP books, I get to see how the acquisitions department are building a diverse and award-winning list of books across the two imprints, I get to see how the company is planning to adapt to digital and how the marketing team are getting our books out.

So I suppose that’s how my day ends at 5.30, having done such a variety of stuff throughout the course of the day I spend the last few minutes summarising what I have done – I try to think, more precisely, about how I might do it better and quicker next time. Before arriving, I had been interested in experiencing the full spectrum of opportunities that this industry can offer, and to try and see what form those opportunities might take in ten years. This internship has given me the freedom to spend my days learning about the industry as a whole, and ensures that two days very rarely resemble one another. There are great opportunities to learn a large amount in a short space of time in publishing – I’m lucky enough to be able to spend my days asking people with big brains lots of questions and not be made to feel silly for it.